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2017 movie by Michael Gracey

The Greatest Showman
The Greatest Showman poster.png

Theatrical release poster
Directed by Michael Gracey
Screenplay by
  • Jenny Bicks
  • Nib Condon
Story by Jenny Bicks
Produced past
  • Laurence Mark
  • Peter Chernin
  • Jenno Topping
Starring
  • Hugh Jackman
  • Zac Efron
  • Michelle Williams
  • Rebecca Ferguson
  • Zendaya
  • Keala Settle
Cinematography Seamus McGarvey
Edited by
  • Tom Cross
  • Robert Duffy
  • Joe Hutshing
  • Michael McCusker
  • Jon Poll
  • Spencer Susser
Music by
  • John Debney
  • Joseph Trapanese
  • Benj Pasek
  • Justin Paul

Production
companies
  • Laurence Marker Productions
  • Chernin Entertainment
  • TSG Entertainment
Distributed by 20th Century Fox

Release dates
  • December 8, 2017 (2017-12-08) (RMS Queen Mary 2)
  • December 20, 2017 (2017-12-20) (United States)

Running time

 105 minutes[1]
Land United states of america
Language English language
Budget $84million[2]
Box office $434.9million[3]

The Greatest Showman is a 2017 American biographical musical drama film directed by Michael Gracey in his directorial debut, written by Jenny Bicks and Nib Condon and starring Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, Zendaya, and Keala Settle. Featuring nine original songs from Benj Pasek and Justin Paul, the film is based on the story and life of P.T. Barnum, a famous showman and entertainer, and his creation of the Barnum & Bailey Circus and the lives of its star attractions.

Principal photography began in New York City in Nov 2016. The film premiered on December 8, 2017, aboard RMS Queen Mary two. It was released in the United States on December 20, 2017, past 20th Century Fox, seven months after Ringling Bros. and Barnum & Bailey Circus ceased operations. The picture grossed $435one thousand thousand worldwide, making information technology the fifth-highest-grossing alive-action musical film of all time.

The film was criticised for its creative license, with some reviewers calling information technology "faux-inspiring and shallow"[iv] [five] but was praised for the performances, music, visuals, and product values, and received nominations for Best Moving-picture show – Musical or Comedy and Best Actor – Musical or Comedy for Jackman at the 75th Golden Globe Awards. The film won the Golden Globe Award for Best Original Song for the song "This Is Me", was nominated for Best Original Vocal at the 90th University Awards[vi] and won the Best Compilation Soundtrack for Visual Media at the 61st Almanac Grammy Awards.[vii]

Plot [edit]

As a kid, P. T. Barnum and his tailor begetter, Philo, work for the Hallett family. Barnum falls for the Halletts' daughter Charity. When Clemency attends finishing schoolhouse, she and Barnum write to each other until reuniting as adults. They eventually marry and raise two daughters, Caroline and Helen, in New York City. They alive a apprehensive life; though Charity is happy, Barnum craves more ("A 1000000 Dreams").

Barnum loses his aircraft clerk job when the visitor goes bankrupt. He later on secures a depository financial institution loan, deceptively using his sometime employer'southward lost ships equally "collateral". He opens Barnum's American Museum in downtown Manhattan which features various wax figures. Ticket sales are slow, so Caroline and Helen propose showcasing something "alive". Barnum adds "freak" performers, such every bit bearded lady Lettie Lutz and dwarf man Charles Stratton. This garners higher attendance, just likewise protests and poor reviews from well-known critic James Gordon Bennett ("Come Alive").

Barnum renames his venture, "Barnum's Circus" and recruits playwright Phillip Carlyle to help generate publicity ("The Other Side"). Phillip is mesmerized by the African American trapeze artist, Anne Wheeler, simply he hides his feelings. While touring abroad, Phillip arranges for Barnum and his troupe to meet Queen Victoria. Barnum persuades famed Swedish singer Jenny Lind to bout America, with him as her manager. Lind's American debut is a success. During her song, Phillip's parents come across him and Anne holding hands ("Never Enough"). As Barnum gains favor with aloof patrons, he distances himself from his troupe, advising them to piece of work without him. Dejected, they decide to stand confronting their local harassers ("This Is Me").

When Phillip and Anne nourish the theater together, they run into Phillip's parents. They chastise him for "parading around with the help". Phillip tries to convince Anne that they can be together, but she disagrees, saying they will never be accustomed socially ("Rewrite the Stars"). Equally Barnum takes Lind on a U.S. tour, Charity, who stays dwelling with the girls, feels isolated from her husband ("Tightrope"). While on tour, Lind becomes romantically attracted to Barnum. When he rebuffs her, she threatens to quit and after retaliates with a surprise osculation at the end of her last evidence, which is photographed by the press.

Barnum returns habitation to find his circus on burn down, acquired by a fight between protesters and the troupe. Phillip runs into the burning building to save Anne, not knowing that she has already escaped. He suffers serious injuries before Barnum rescues him. Barnum learns the culprits accept been caught and that Lind has cancelled her tour after her and Barnum'southward "scandal". Barnum's mansion is foreclosed upon and Charity takes the girls to her parents' home.

Devastated, Barnum retreats to a local bar. His troupe finds him at that place and say that despite their disappointments, they notwithstanding consider themselves a family. Inspired, he resolves to build a new show and non let appetite rule him ("From Now On"). Phillip awakens in a hospital with Anne by his side, while Barnum and Clemency reconcile.

A recovering Phillip offers his share of the profits to help Barnum rebuild the circus in exchange for condign a full partner, which Barnum readily accepts. To economize, Barnum transforms the enterprise into an open-air tent circus. The revamped circus is a huge success and Barnum has Phillip take his place as the ringmaster so the former can spend more time with his family unit. Barnum leaves the circus early and arrives on an elephant to attend Caroline and Helen'south ballet recital ("The Greatest Prove"). The movie ends with a quote from P.T. Barnum that reads "The noblest art is that of making people happy".

Cast [edit]

  • Hugh Jackman every bit P. T. Barnum, an ambitious showman and entrepreneur
    • Ellis Rubin as Young Barnum
      • Ziv Zaifman provides Young Barnum's singing voice[8]
  • Zac Efron as Phillip Carlyle, a playwright who becomes Barnum's partner
  • Michelle Williams as Clemency Hallett-Barnum, the married woman of P.T. Barnum
    • Skylar Dunn as Young Charity
  • Rebecca Ferguson as Jenny Lind, a famous Swedish vocalist known equally the "Swedish Nightingale"
    • Loren Allred provides Lind'due south singing phonation.[9]
  • Zendaya every bit Anne Wheeler, an acrobat, a trapeze artist, Westward.D.'due south younger sister and Phillip's love involvement.
  • Keala Settle as Lettie Lutz, a bearded lady.
  • Yahya Abdul-Mateen Ii as W.D. Wheeler, an acrobat and Anne'due south older brother
  • Natasha Liu Bordizzo as Deng Yan, a Chinese acrobat and blade specialist
  • Paul Sparks equally James Gordon Bennett, the founder, editor, and publisher of the New York Herald
  • Sam Humphrey as Charles Stratton, a dwarf performer who is also known past his stage name General Tom Thumb
  • Fredric Lehne every bit Benjamin Hallett, Charity's father and Barnum'due south father-in-law
  • Gayle Rankin as Queen Victoria
  • Eric Anderson every bit Mr. O'Malley, a old pickpocket whom Barnum employs at his circus
  • Byron Jennings as Mr. Carlyle, Phillip's father
  • Betsy Aidem as Mrs. Carlyle, Phillip's female parent
  • Damian Immature as Mr. Winthrop
  • Tina Benko as Mrs. Winthrop
  • Volition Swenson equally Philo Barnum, a tailor and the late father of P.T. Barnum
  • Radu Spinghel every bit O'Clancy, the tall man based on "Captain" George Auger
  • Luciano Acuna Jr. as the Canis familiaris Boy, based on Fedor Jeftichew
  • Caoife Coleman and Mishay Petronelli equally the Albino Twins
  • Danial Son and Yusaku Komori equally Chang and Eng Bunker, the Siamese Twins
  • Daniel Everidge equally the Lord of Leeds, a fat homo
  • Shannon Holtzapffel equally Captain Constentenous, the Tattooed Man

Production [edit]

During rehearsals for the 81st Academy Awards in 2009, producers Laurence Mark and Bill Condon compared host Jackman to Barnum. After Jackman expressed interest in a Barnum project, Mark and Condon approached Jenny Bicks, a writer for the ceremony. She and Condon wrote The Greatest Showman.[x] The project was kickoff announced in 2009, with Jackman already set for the title office.[11] In August 2011, Michael Gracey was called to straight.[12] In 2013, Fob hired lyricists Pasek and Paul to write the songs.[13]

In early 2016, the cast and crew performed a read-through in front of producers to light-green-calorie-free the flick. Pasek and Paul approached Jeremy Jordan to sing for the function of Carlyle, whose grapheme had not yet been cast, at the read-through since Hashemite kingdom of jordan recorded demos for the film in 2015.[xiv] The 24-hour interval earlier the read-through, Jackman underwent nasal surgery and was ordered by his doctor not to sing. This prompted Pasek and Paul to inquire Jordan to also sing for the role of Barnum while Jackman acted out the scenes, to which Hashemite kingdom of jordan agreed. While the bandage performed "From Now On", Jackman went against orders and began singing along with Jordan. This brought the read-through to an emotional terminate which resulted in the flick getting greenlit.[15]

On June 15, 2016, Zac Efron began negotiations to star in the moving picture,[16] and in July 2016, Michelle Williams was cast.[17] The film was choreographed by Ashley Wallen.[18]

Filming [edit]

Rehearsals on the film began in October 2016 in New York City, and principal photography began on November 22, 2016.[19]

Postal service-production [edit]

In Dec 2017, it was reported that James Mangold, who had worked with Jackman on several projects (including 2017's Logan), had been brought in to serve every bit an executive producer during the film's postal service-production. In an interview, director Michael Gracey noted, "There were eight producers on this picture show, and it was amazing having one of them be a filmmaker."[twenty]

Music [edit]

Musical numbers [edit]

Zac Efron and Zendaya being interviewed regarding "Rewrite the Stars" and The Greatest Showman

All tracks are written past Benj Pasek and Justin Paul[21].

No. Title Performer(s) Length
one. "The Greatest Show" Hugh Jackman, Keala Settle, BriaAndChrissy, Zac Efron, Zendaya, The Greatest Showman Ensemble 5:02
2. "A Million Dreams" Jackman, Michelle Williams, & Ziv Zaifman 4:29
3. "A Million Dreams (Reprise)" Austyn Johnson, Cameron Seely, & Jackman 1:00
4. "Come Alive" Daniel Everidge, Jackman, Settle, Zendaya, & Ensemble 3:45
5. "The Other Side" Jackman & Efron 3:34
6. "Never Enough" Loren Allred three:27
7. "This Is Me" Settle & Ensemble 3:54
8. "Rewrite the Stars" Efron & Zendaya three:37
9. "Tightrope" Williams three:54
10. "Never Enough (Reprise)" Allred 1:20
11. "From Now On" Jackman & Ensemble 5:49
Total length: 39:56

Soundtrack [edit]

The soundtrack album is produced past Justin Paul, Benj Pasek, Greg Wells, Kevin Weaver and Pete Ganbarg, featuring the 11 tracks performed by the cast. In the U.k., on March 23, 2018, it became only the second album in thirty years to achieve 11 sequent weeks at number 1, equalling the record set past Adele'south 21.[22] [23] Equally of January 25, 2019[update], the anthology has spent the 6th nearly time at number one at 28 non-sequent weeks, matching the Beatles' Sgt. Pepper's Alone Hearts Order Band.[24]

The Greatest Showman: Reimagined [edit]

On November sixteen, 2018, a remix anthology was also released, The Greatest Showman: Reimagined, which features covers of songs from the soundtrack past musicians including James Arthur, Anne-Marie, Sara Bareilles, Kelly Clarkson, Kesha, Pink, Panic! At the Disco, Years & Years, Jess Glynne, Ty Dolla $ign, Missy Elliott and Zac Brown Band among others.[25] [26]

Release [edit]

Hugh Jackman at the film'southward Japanese premiere on February 13, 2018

The Greatest Showman held its premiere on December 8, 2017, aboard RMS Queen Mary ii, while it was docked in New York Urban center. The film was then released in the Us on December xx, 2017.[27] [28]

Equally with Disney's live-activity Beauty and the Creature, a sing-along version of the picture was released in the U.k. on Feb 23, 2018.[29] The film had a limited IMAX release on ii February 2018.[ citation needed ]

Marketing [edit]

On June 28, 2017, 20th Century Trick released the first international trailer to promote the moving picture. On November 13, 2017, the second trailer was released.[thirty]

On December 17, 2017, Flim-flam televised a alive performance of "Come Alive" from Warner Bros. Studios during its live musical special A Christmas Story Live! (which was based on fellow Pasek and Paul work A Christmas Story: The Musical). The number featured the film's stars and a bandage of 150 dancers.[31] [32]

Home media [edit]

In the United States, the film was released via digital download on March 20, 2018, and was released on DVD, Blu-ray, and 4K Ultra HD on Apr 10, 2018.[33]

In the United Kingdom, the picture show was released first on digital download on April 27, 2018, while DVD, Blu-ray, and 4K Ultra HD copies went on sale on May xiv, 2018. These versions included the sing-along version, ii hours of behind-the-scenes footage, and music machine jukebox features.[34]

The Greatest Showman was released on the US & Canada version of Disney's streaming service Disney+ on August 14, 2020,[35] following Disney'south acquisition of 20th Century Play tricks in 2019.[36]

Reception [edit]

Box office [edit]

The Greatest Showman spent 219 days in release, endmost on July 26, 2018, having grossed $174.3million in the United states and Canada, and $260.6million in other territories, for a worldwide total of $434.9million, against a production budget of $84million.[three] Information technology is the third-highest-grossing musical ever in North America and also the third-highest globally, and Deadline Hollywood estimated the film would turn a profit of $50–100 1000000.[37]

In the United States and Canada, The Greatest Showman was released alongside Jumanji: Welcome to the Jungle, and was projected to gross around $21million from iii,006 theaters over its showtime vi days.[38] [39] It took in $ii.vmillion on its first day and $two.1million on its 2nd. Over the three-day weekend, it grossed $9meg (for a vi-day total of $19million), finishing fourth at the box office, behind Star Wars: The Final Jedi, Jumanji: Welcome to the Jungle and Pitch Perfect 3.[40] In its 2d weekend, the motion picture grossed $15.5million, again finishing 4th at the box office.[41] The weekend-to-weekend increment of 76.iii% marked the largest ever for a film playing in over 3,000 theaters, and the quaternary biggest e'er.[42] [43] In its 3rd calendar week, the film dropped xi% to $14million.[44] The film fabricated $131000000 in its 4th weekend and $11million in its fifth, finishing 4th and 5th at the box office, respectively.[45] The film continued to hold well in its sixth week of release, grossing $ix.5million and returning to 4th place,[46] and over again finished fourth in its seventh calendar week, this fourth dimension grossing $7.8meg (a driblet of just eighteen%).[47] It is the 14th-highest-grossing flick that never reached showtime place at the American box part.[48]

Critical response [edit]

On review aggregator Rotten Tomatoes, 57% of 264 reviews are positive, and the average rating is 6/x. The website'south disquisitional consensus reads, "The Greatest Showman tries hard to dazzle the audience with a Barnum-fashion sense of wonder—merely at the expense of its complex subject's far more intriguing existent-life story."[49] On Metacritic, the moving-picture show has a weighted average score of 48 out of 100, based on reviews from 43 critics, indicating "mixed or average reviews".[fifty] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while those at PostTrak gave information technology 4.5 out of five stars and a lxx% "definite recommend".[xl]

Owen Gleiberman of Variety gave the pic a positive review, writing, "The Greatest Showman is a concoction, the kind of moving picture where all the pieces click into place, yet at an hr and 45 minutes it flies by, and the link it draws betwixt P.T. Barnum and the spirit of today is more than hype."[51] Richard Roeper of the Chicago Dominicus-Times gave the motion picture 3 out of 4 stars, saying, "With all that corn and cheese and sometime-timey sentiment, The Greatest Showman ends up scoring some very timely social arguments. P.T. Barnum himself would have canonical the dramatic sleight of hand."[52] Steve Persall of Tampa Bay Times gave the film an 'A', and said, "The Greatest Showman is the feel-skilful film the holiday flavour needs,"[53] while William Bibbiani of IGN gave The Greatest Showman a score of 7.9 out of 10, and called the film, "wildly entertaining".[54]

Britton Peele of The Dallas Morning News said, "The story is interesting and the beats are well acted, but information technology's the musical numbers that make The Greatest Showman."[55] Jackie Chiliad Cooper of HuffPost gave the flick a score of 10/10 and wrote, "You will be overwhelmed past the music and magic that explode on the screen. The film has a bulletin that should resonate with today's world concerning acceptance and backbone."[56] Hugh Armitage of Digital Spy said, "The Greatest Showman is a broad and solid crowd-pleaser. An undemanding spectacle for all the family."[57] Alan Jones of the Radio Times called it "A joyously uplifting potpourri of visual resplendence, stylish choreography and solid gold magic, one engineered to approximate the lavish spectacle the movie musical in one case offered."[58]

Sheila O'Malley of RogerEbert.com gave it 3.5 out of 4, stating "The Greatest Showman is an unabashed slice of pure amusement punctuated by memorable songs."[59] James Berardinelli of ReelViews gave the picture show three out of four, and said, "The film has show-stopping well-choreographed numbers with catchy tunes,"[60] and Calvin Wilson of the St. Louis Postal service-Dispatch called the film "highly enjoyable."[61]

Carl Kozlowski of Pasadena Weekly gave the film an 'A', calling information technology "Groundbreaking & grandly innovative."[62] Sean P. Means of The Table salt Lake Tribune gave The Greatest Showman 3.5 out of 4, stating, "A strong cast give emotional power to this romanticized, tune-filled biography."[63] Manuela Lazic of Little White Lies gave information technology iv out of 5, saying, "The Greatest Showman deserves to become a Christmas classic. The film's severe romanticism and ridiculous but affecting enthusiasm go far irresistibly life-affirming."[64] Pete Hammond of Deadline Hollywood gave the film 4 out of five stars and called it, "A fantasia of song and dance, a joyous exercise in pure entertainment that is fabricated for the holiday crowd."[65]

Conversely, Mick LaSalle of the San Francisco Chronicle gave the film a negative review, criticizing the songs and characters and maxim "There'southward idiotic, and at that place's magnificent, but The Greatest Showman is that special thing that happens sometimes. It's magnificently idiotic. It's an atrocious mess, but information technology'due south flashy. The temptation is to cover your face and lookout it through your fingers, because it's so earnest and embarrassing and misguided—and yet it'due south well made."[66] In a negative review for The Hollywood Reporter, David Rooney wrote "This ersatz portrait of American big-top tent impresario P.T. Barnum is all smoke and mirrors, no substance. Information technology hammers pedestrian themes of family, friendship and inclusivity while neglecting the fundaments of character and story."[67]

Writing for Rolling Stone, Peter Travers gave the picture 1.5 out of iv stars, saying, "How do you bandage a virtuoso Hugh Jackman as P.T. Barnum, spare no expense in production values, add a score past Oscar and Tony winners Benj Pasek and Justin Paul and still end upward with the shrill blast of nothing that is The Greatest Showman? Ask first-time manager Michael Gracey, who cut his teeth on commercials and music videos without e'er mastering the crucial knack of edifice snippets of musical comedy and drama into a satisfying whole."[68] Justin Chang of the Los Angeles Times wrote that the picture's failures "are rooted in something deeper: a dispiriting lack of organized religion in the audience's intelligence, and a dawning sensation of its own aesthetic hypocrisy. You've rarely seen a more direct-laced musical about the joys of letting your freak flag fly."[69]

Rhoda Roberts arts director of the Sydney Opera House criticized the film for failing to address that Barnum coerced and kidnapped native peoples to perform in human zoos as a form of entertainment.[seventy]

Accolades [edit]

Possible sequel [edit]

In September 2019, a sequel for the film was already in development, with Jackman confirmed to reprise his role.[96] However, the sequel'due south future is at present uncertain subsequently Disney chose to end a distribution bargain for Chernin Amusement'south films by 20th Century Fox in early 2020.[97]

See too [edit]

  • Barnum, a 1980 Broadway show with music past Cy Coleman
  • The Greatest Show on World, a 1952 motion picture directed by Cecil B. DeMille

References [edit]

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